![]() Woodberry, George Edward, The Life of Edgar Allan Poe: Personal and Literary, with His Chief Correspondence with Men of Letters, Boston - New York, Houghton Mifflin Company, 1909. ![]() Thorner, Horace E., “Hawthorne, Poe and a Literary Ghost”, The New England Quarterly, marzo 1934: 146-154. Regan, Robert, “Hawthorne’s “Plagio” Poe’s Duplicity”, Nineteenth Century Fiction, vol. Mabbott, T.O.,“William Wilson”, in E.A.Poe, Tales and Sketches, Champaign, University of Illinois Press, 2000, vol. Hart, 1835: 229-253 contemporaneamente nel Burton’s Gentleman’s Magazine, ottobre 1839: 205-212 poi raccolto in Tales of the Grotesque and Arabesque, Philadelphia, Lea and Blanchard, 1840 t.I: 27-56. Id., “William Wilson”, in The Gift: a Christmas and New Year Present for 1840, Philadelphia, E. Poe, London, The Chesterfield Society, 1909, vol. A review”, Graham’s Magazine, May 1842: 298-300 raccolto in Works of E.A. Marmier, Xavier, “Chants danois”, Revue des deux mondes, 1° marzo 1836. Kraus, Wilhelmine, Das Doppelgänger Motiv in der Romantik, Studien zum romantischen Idealismus, Germanische Studien Heft 99, Berlin, Ebering, 1930. Hellmann, George S., Boston, Bibliophile Society, 1919. Id., The Journals of Washington Irving (hitherto unpublished), Ed. Irving, Washington, “An unwritten drama of Lord Byron”, in The Gift: a Christmas and New Year Present for 1836, Philadelphia, E. Mitarbeit von Gerhard Allroggen, Deutscher Klassiker Verlag, Frankfurt am Main 1988. Id., Die Elixiere des Teufels, in Sämtliche Werke, Bd. ![]() Mitarbeit von Gerhard Allroggen, Deutscher Klassiker Verlag, Frankfurt am Main, 1985. Correspondance complte de la marquise Du Deffand avec ses amis : le prsident Hnault, Montesquieu, d'Alembert, Voltaire, Horace Walpole, classe dans l'ordre chronologique et sans suppression augmente des lettres indites au chevalier de l'Isle prc. Id., Prinzessin Brambilla, in Id., Sämtliche Werke, Bd. For the duration of the video, the square frame of the shot is doubled in a split-screen mirror. Carlo Pinelli, in Romanzi e racconti, vol. Le Chevalier dEon: Wagering in a Wilderness of Mirrors. ![]() Alberto Spaini, in Romanzi e racconti, t.3, Torino, Einaudi, 1969. Hoffmann, E.T.A., La principessa Brambilla, trad. Heine, Heinrich, De l’Allemagne, in Œuvres, vol. Gautier, Théophile, “Le chevalier double”, Le Musée des familles (1840): 289-293. During this time, he became a journalist for Le Moniteur universel, then the editorship of influential review L'Artiste in 1856.Ampère, Jean-Jacques, Littérature et voyages, Allemagne et Scandinavie, Paris, Paulin, 1833.Ĭalderón de la Barca, Pedro, El Purgatorio de San Patricio, in Primera parte de Comedias, Madrid, por Maria de Quiñones, 1636.įernandes, Bertha, “Poe, l’arte del plagio”, in IMPACT: International Journal of Research in Humanities, Arts and Literature, 1.7, (2013): 1-6. ![]() His prestige was confirmed by his role as director of Revue de Paris from 1851-1856. He was a celebrated abandonnée of the Romantic Ballet, writing several scenarios, the most famous of which is Giselle. He began writing poetry as early as 1826 but the majority of his life was spent as a contributor to various journals, mainly for La Presse, which also gave him the opportunity for foreign travel and meeting many influential contacts in high society and in the world of the arts, which inspired many of his writings including Voyage en Espagne (1843), Trésors d'Art de la Russie (1858), and Voyage en Russie (1867). In the 1830 Revolution, he chose to stay with friends in the Doyenné district of Paris, living a rather pleasant bohemian life. Pierre Jules Théophile Gautier was a French poet, dramatist, novelist, journalist, and literary critic. ![]()
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